Features

Tech column: industry accreditation for HE courses

With a degree now a requirement for many entry-level roles within the music tech industry, how do you select higher education courses from the plethora of choices? JAMES – the Joint Audio Media Education Support group – shares some recommendations
JAMES assessor George Shilling, artist James Passey, and students at the 2019 JAMES Summer School, University of South Wales
JAMES assessor George Shilling, artist James Passey, and students at the 2019 JAMES Summer School, University of South Wales - Mike Banks

Many years have passed since the industry traineeship model provided the traditional pathways into the music industry. Positions such as tape op and runner are now a distant memory and higher education courses have taken their place. The educational models used over recent decades have tended to focus on the technology rather than the social, aesthetic and human skills that the traineeship model promoted. Generally, when a permanent position does arise, employers look to a university graduate to fill the position.

Evidence suggests that some higher-education providers are not furnishing students with the kind of skills and specialisms that the creative industries demand – this is evidenced by the varied employment outcomes across the media industry sector.

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