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Too refined to riff? Removing genre constraints for young string players

When bowed strings are among the most expressive and versatile of instruments, why do classically trained players sometimes feel constrained by genre? Georgina Leach, violinist and author of Dynamite Strings, investigates.
DRN Studio/AdobeStock

When I think of genre-busting string playing, I'm not talking about rattling off a few Irish jigs or dipping into the gypsy music of Hungary. Nor do I refer to instrumental versions of pop songs or string sections simpering in a nice, neat row behind the band. Mastery in any musical domain is undoubtedly a lifelong pursuit, but these are genres or ways of playing that either have a robust existing string tradition or can be accessed fairly satisfactorily via many readily available resources.

I'm interested in those genres that don't usually feature strings as a lead instrument. Why shouldn't I be in the middle of a festival stage, foot on monitor doing battle with the lead guitarist? Why can't I take a big, indulgent solo like a saxman in an ‘80s ballad, or get mesmerised for 20 minutes in an Afrobeat jam?

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