Dr Jonathan Savage, director of UCan Play, gives an overview of adaptive and inclusive instruments on the market – and how to make the most of new government funding
Liz Giannopoulos looks at a full-size smart digital keyboard from Yamaha, the CSP-170 Clavinova.
In this month’s mental health and wellbeing column, Emma Hutchinson, specialist and trainer in Early Years music and founder of Music House for Children, shares her experiences with wellbeing and...
Students interested in musical theatre could find themselves falling into the cracks between the school's drama and music departments. Head of drama Alex Thomas shares some wisdom on working...
Clare Stevens reports on a new primary singing programme run by The Choir of HM Chapel Royal, Hampton Court Palace, and the London Borough of Hounslow.
Used to leading and assessing creative education projects, Richard Barnard was a composer on the award-winning Listen Imagine Compose Primary. Here he describes his new role at Bristol Beacon,...
Ruth Coles reviews Wonderland the Musical from The Schools Musicals Company, written by Kate Belcher for upper KS2 or KS3.
Your voice is an essential teaching tool – but one that is often overworked and overlooked. Kent Music's Liv Edwards (senior leader) and Grace Irvine (communications manager) share their top tips for...
The first movement of Beethoven’s Piano Concerto No. 4 is the prescribed work in OCR’s Area of Study 1 (Instrumental Music of Haydn, Mozart and Beethoven) for 2024 (and covered in its own Music...
The artists scheme celebrates its 25th anniversary this year
