Some musicians see teaching as a second-class profession, and graduates may fall into it without being fully prepared. Drs Luan Shaw and Adam Whittaker from the Birmingham Music Education Research...
At first glance, the new GCSE specifications bear a striking resemblance to their predecessors. This resource will help you to understand how the assessment objectives have changed, and will provide...
On Day 2 of the Music & Drama Education Expo 2025, Thomas Gregory, the creator of the Vamoosh Music! series for young instrumentalists, will lead a session on ‘Learning by mistake: how accuracy is...
Dale Wills looks at ways to expand the keyboard's sonic palette.
The profile of body percussion has risen in recent years – but what of its wider application, beyond just warm-ups? Ollie Tunmer, director of Beat Goes On, reports on using it in recent co-curricular,...
Becoming a keyboard player needn't be a lonely experience. Here, Murray McLachlan describes keeping good company and the strategies involved.
Artistic director, professor, conductor and violinist Shirley J. Thompson has been described as a distinctive voice in contemporary British music. MT's Phil Croydon caught up with her to hear her...
Tim Hallas takes a look at software to inspire students with new sounds and experiences.
Helen Neilson takes a look at the latest volume of Schott's Pop for Cello series.
Tom Lydon reviews a collection of Two-Part Anthems published by RSCM.
