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Ensemble coaching: tackling back-row apathy

As a practice and performance consultant at the Heifetz International Music Institute, Adam Hockman is used to giving advice on how to maintain ensemble players’ attention throughout a rehearsal. Here, he shares some tips for keeping them tuned in.
© Adobe Stock/Grayfrog

As a conductor, you need to be quick on your feet to lead an effective elementary and middle school ensemble rehearsal. Standing in front of a room full of students waiting for direction, there’s one imperative: holding their attention and keeping them on task.

Issues can arise simply because of the traditional seating arrangements for bands, orchestras, and choirs. The physical set-up of most rehearsal rooms creates challenges to monitoring performance and behaviour, and to intervening and providing important feedback to the musicians. To cite just a few issues:

This leads to what I call Back-row Apathy: lost participation, opportunities and interest due to ensemble geography. What can you do to help students further from the teacher get a front-row experience?

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