Multi-genre composer and brass specialist James Brady provides key pointers on how to arrange effectively for ensembles of all shapes and sizes.

You've got twelve recorders, four guitars, one trumpet with a sticky valve, and an enthusiastic student who doesn't play an instrument. And Senior Leadership wants a Christmas concert in six weeks. Sounds like a nightmare? Worry not! With a little arranging knowhow, even the most challenging circumstances can be turned into a rewarding musical experience.

No matter who you're writing for, ensure that your arrangement is complete, with all the core ‘roles’ covered. For most music, this means a melody; material that fleshes out the harmony; parts providing rhythmic structure; and a bassline. Avoid arranging long passages in which any of these core parts are missing, as this can make the piece sound bare.

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