Andy Grappy is Head of Southwark’s Saturday Music Centre, Kinetika Bloco’s Brass Leader and a trustee of the National Jazz Youth Orchestra. Here, he talks to Maggie Hamilton about playing tuba and resisting categorisation
Andy Grappy at the Notting Hill Carnival
Andy Grappy at the Notting Hill Carnival - © Richard Haynes, Kinetika Bloco

AG: I started by learning the piano. One of my uncles was returning to the West Indies and couldn’t take his piano with him, so my parents decided I should learn. They all rolled the piano to our house (five doors away)! I practised religiously for five minutes before every lesson and made very little progress, but could read music. Later, in the UK, a new music teacher at my secondary school in the Midlands wanted to start a brass band – something I’d never really come across. My brother wanted to join it, and because I was asthmatic, my mum said ‘You have to go along, because blowing might help you’. I spent a year learning the baritone [horn], then moved on to euphonium and then Double B flat Bass [tuba], the biggest of the instruments – I had to sit on books in order to reach the leadpipe. Because I could already read music, I made quite rapid progress. I joined the Sandwell youth band and occasionally I would go to Midland Youth Jazz Orchestra (MYJO) rehearsals at Cannon Hill Park [in Birmingham], because I was interested in that and my dad really liked jazz. So I had experience of playing the tuba in different genres – brass band, jazz, big band, and the borough orchestra. A lot of the tuba players my age hadn’t had that breadth of experience.

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