Soaring to new heights with his musical drama Birdland, accomplished composer and conductor Bob Chilcott has created a flexible musical score that encourages schools, hubs and students to collaborate,...
Clare Maddocks is a Neurologic Music Therapist based in Glasgow, and the Director of Education & Research for the British Association for Music Therapy (BAMT). Here, she describes how music can...
As a practice and performance consultant at the Heifetz International Music Institute, Adam Hockman is used to giving advice on how to maintain ensemble players’ attention throughout a rehearsal....
Katrina Fox reviews a method book for learning scales and arpeggios
Applications are invited for funding to support individuals and organisations working with young musicians in Scotland
Paula Child reviews a series presenting basic guitar techniques and styles from around the world.
Emma Hutchinson reviews a Musicbuds online course in supporting diversity, equity and inclusion
Sue Beckett, CEO of Portsmouth Music Hub – one of MT's new partners – describes how the hub created its Sound Minds initiative alongside the city's programme of support for children and young people's...
Setting up microphones and a sound system for stage productions requires careful thought and planning. Dan Fisher-Wienesen, head of music technology and sound at Leighton Park School, shares his top...
Following Arts Council England's decision to move funding for National Portfolio Organisations away from London-based projects, Hattie Fisk investigates what this means for the provision of musical...
